<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Threater on Omid Farhang</title><link>https://omid.dev/tags/threater/</link><description>Recent content in Threater on Omid Farhang</description><generator>Hugo -- 0.152.2</generator><language>en-US</language><copyright>2025 Omid Farhang | All rights reserved.</copyright><lastBuildDate>Fri, 16 Apr 2010 14:05:00 +0000</lastBuildDate><atom:link href="https://omid.dev/tags/threater/index.xml" rel="self" type="application/rss+xml"/><item><title>Steve Jobs Show Premieres Off Broadway Next Week</title><link>https://omid.dev/2010/04/16/steve-jobs-show-premieres-off-broadway-next-week/</link><pubDate>Fri, 16 Apr 2010 14:05:00 +0000</pubDate><guid>https://omid.dev/2010/04/16/steve-jobs-show-premieres-off-broadway-next-week/</guid><description>&lt;p&gt;&lt;a href="http://lh5.ggpht.com/_vaUVXcmC3OI/S8hntiByS9I/AAAAAAAAB_Q/pZ0BwWdY9Mk/s1600-h/steve-jobs-260%5B3%5D.jpg"&gt;&lt;img loading="lazy" src="http://lh6.ggpht.com/_vaUVXcmC3OI/S8hnvbp8rZI/AAAAAAAAB_U/YdD8rrtvMos/steve-jobs-260_thumb%5B1%5D.jpg?imgmax=800" alt="steve-jobs-260" title="steve-jobs-260" /&gt;
&lt;/a&gt; The CEO of Apple is certainly no stranger to the stage, being known for giving keynotes that typically have the effect of rendering tech geeks into little piles of goo after the announcement of a new product. But now Mr. Jobs — or at least, the story of his career — will be gracing a new stage: &lt;a href="http://www.broadwayworld.com/article/EST_Presents_Notes_Toward_THE_AGONY_AND_ECSTASY_OF_STEVE_JOBS_422_20100414"&gt;an Off Broadway theatre&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Playwright Mike Daisey wasn’t scheduled to perform his new monologue about the Apple head honcho until next year, but popular demand from New York’s Ensemble Studio Theatre has pushed up the premiere of &lt;em&gt;Notes Toward the Agony and Ecstasy of Steve Jobs&lt;/em&gt; to a one-night-only run on April 22. The venue’s artistic director was reportedly so excited about the work that he commissioned a one evening run even though the play is officially a “work in progress and not ready for review.”&lt;/p&gt;</description></item></channel></rss>